Photo: "The Morgue"

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U.S. Marine Hospital, Tennessee

This morgue is very special to me, as it is the only one I have found completely in tact, copper head piece and all. 

This hospital was originally constructed in the late 1800's, but the main building was demolished and reconstructed in the 1930's. 

(Technical: Dark basement. 2min 20sec exposure. Lit with LED and incandescent flashlights.)

Photo: "Things That Go Bump In the Night"

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Car near Aguaberry Mine Camp, Death Valley

On our first evening in Death Valley last month, we ventured out to shoot a mine camp. It was the first time I had been shooting at night in a few months, so I was feeling a bit out of practice, but it was amazing being out under the stars again.

(Technical: This is a blend of two images, one exposed for the sky, the other for the light painting and car.)

Photo: "1950 Ford Woody"

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"We could ride the surf together

While our love would grow

In my woody I would take you everywhere I go

So I say from me to you

I will make your dreams come true

Do you love me do you surfer girl."

     - Beach Boys

My Dad started a business restoring the wood on these cars when I was a child. I have such fond memories of riding around in these woodies, listening toThe Beach Boys and Jan & Dean. It's really not difficult to imagine why I am such a beach bum. 

Photo: "Mine at 1,000 Feet"

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Within the first 3 years of operation, 11,000 tons of ore, comprised of 15% lead, was mined here in Death Valley and hauled by tractor-drawn trucks for 45 miles, before being  transported by rail. After dumping the ore, the trucks brought water back to the mine. 

The mine remained in operation for another 46 years, but only yielded another 5,000 tons during that time. 

On Taking A Second Look

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These patient room doors are inside the Babcock Building at the South Carolina Lunatic Asylum and were shot with a 24-105 zoom.

Before and during dawn inside buildings, I generally shoot with my 17mm tilt-shift or a 17-40, because I want wide angle shots of the space glowing blue from twilight. After the best light subsides (or once I've made a full pass through the building) I usually put on a 50mm or 24-105 to get in tighter with some detail shots. 

This doesn't always work, because sometimes I'm limited to the amount of time I have to shoot somewhere, but when I have ample time, it's my favorite way to shoot.